It's almost as if he's stopped counting: On his official website, there
hasn't been a news update for exactly a year and things have been rather
quiet for Philip Glass the last few months (even though he was involved in
some Hollywood movie scores). The secret behind this retreat of sorts is
that Glass was working on his final opera, "Waiting for the Barbarians", an
adaption of John M. Coetzee's book of the same title. The story revolves
around an unimportant clerk, who shows humanity in the face of war and is
punished for it. Christopher Hampton, whom most will know by his reworking
of "Les Liaisons Dangereuses" has written the libretto and the musical
direction has been put into the safe hands of Dennis Russel Davies, who has
worked with Glass on previous occasions and has an excellent reputation when
it comes to modern music. All of this promises quite a lot and we would like
to thank the Theater Leipzig for ordering the composition. Leipzig is
steadily building an excellent reputation when it comes to presenting Opera
premieres and has been featuring debut performances every concert season
since 2002. September 10th, the house will open its doors to Glass-fans for
the first time and after that, the piece will also be played at Austin and
Cincinatti. Russel Davis has already claimed that the composer has found a
great balance between singers and the orchestra and that "minimalism" is not
the word to decribe the music. Rather, a subtle and "unhysterical" sound is
to be found, as well as oriental influences. This promises quite a lot and
only proves one thing: Never count Philip Glass out.
Homepage: Philip Glass
Homepage: Theater Erfurt
Source: Dennis Russel
Davies at Leipziger Volkszeitung
One last time

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