Marin Alsop has been awarded the positon of new Music Director at the
Baltimore Symphony Orchestra, a job she will actively take over from her
Russian collegue Yuri Temirkanov in the 2007-08 season. According to the
Chairman of the BSO, Philip D. English, there were three main reasons for
deciding on Alsop: Firstly, she was a "visionary", which could mean that the
Orchestra could once again continue David Zinman's path towards new music -
a path the Symphony left under Temirkanov, a fervent lover of the
traditional repertoire (his appointment actually led Zinman to resign as
conductor emeritus). Secondly, she had experience and was acknowledged to be
a "world class conductor". And thirdly, she had proven to be a master at
recording music as well (which hints at a strengthened effort to capture the
music of the BSO on disc).
Actually, Ms. Alsop hardly needs any praise. She's conducted most of the
World's great Orchestras, she's amassed a whole house full of awards, she's
released more CDs than one could listen to in a life-time (and received more
friendly reviews than one could possibly read for them) and up to now, all
the musicians she's been residing over, have loved her. So it was quite an
oddity that the instrumentalists of the Baltimore Symphony didn't want the
search for a new conductor to end. A letter from one board member to another
quoted technical limitations as the root of evil and naturally the gender
card has been played. Moderate observers have put the question down to a
mere power struggle: Even if they thought Alsop to be an adequate choice,
musicians wouldn't want to accept her unless they had expressely been given
the chance to have their voice heard.
We don't really want to go into the details of this. There's a certain
logic to the search for a new Musical Director at any given concert hall and
most likely it has a lot to do with power. But think about this: The choice
of principle director for a Symphony could be a process of grace, of honour
and of grandeur. Even those citizens that don't listen to Classical Music at
all can feel elevated by the mere fact that a great maestro has been
appointed to reside at their home town (so it was, for example, with Sir
Simon Rattle in Berlin). And it could be so simple. Just as in soccer,
musicians are hardly the best panel to judge on who's to "lead" them. But
they are the one's who will feel the effects of this decision most. So if
they are not even able to air their sentiments, hopes and fears they are
right to be disappointed.
As so often before, too many people have got it wrong. The board was wrong
not even to listen to the musicians and to not communicate more delicately
in this affair. The musicians were wrong to bring up some rediculous
arguments against Alsop. And everyone was wrong in even allowing their petty
self-interest to tarnish the beauty of this decision:
With Marin Alsop, he BSO has found a brilliant new conductor with energy
and international standing, a once-in-a-million person who can bring
together the new and the old, the traditionalists and the revolutionaries.
Let's celebrate not quarry!
Homepage: Marin Alsop
Homepage: Marin Alsop at
PR2 Classic
Source: Marin Alsop
at the New York Times
Source: Marin
Alsop at the Philadelphia Inquirer
Source:
Marin Alsop at Calendarlive.com
Alsop hits Baltimore

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