All experimental Items

CD Feature/ Shy Child: "Noise Won’t Stop" No smiley-dumb disco: Fantastically prepped for a not-too-distant love affair.

Vital Weekly 629 Frans de Waard presents the experimental releases of the week.

CD Feature/ Marc Manning & Yann Novak: "Pairings" A unique formula: Manning dictates gentle metaphors into Novak’s tape recorder.

Gabriel Prokofiev: Concerto for Turntable rocks the RSNO The grandson of one of the 20th century’s eminent composers, Sergei Prokofiev, is due to take classical music into the ...

CD Feature/ Josh Russell: "Sink" & "Music for Geiger Counters"; V.A.: "Golden Various" A physical empathy for noise: Russell is a silent force on the sound art scene.

CD Feature/ Mou, Lips!: "Untree" A quirky dance of the elements: Everything that makes the world of experimental music such a wonderful place.

Imagining the Future Complete control: Jerry Gerber writes grand-scale scores for virtual orchestras.

15 Questions to Yui Onodera Sound artists are often extremely scepctical about the impact of their work. As the example of Yui Onodera shows, however, ...

CD Feature/ Critikal: "Graphorrhea" A group with a message: Improvisation as a representation of what it means to live in the new millenium.

15 Questions to Johannes Maria Staud Contemporary composers often have to deal with an image of grumpy young man feeding on a diet of too much ...

CD Feature/ Tanake: "3ree" Finding ways of communication: A spooky mirror image of a Space Rock band.

CD Feature/ Portishead: "Third" They're still there and they still matter: The triumph of a band who have never sounded this human before.

CD Feature/ Poolplayers: "Way Below the Surface" Players aligned like metallic dust along the poles of a magnet: Very very silent music, played carefully and in the ...

CD Feature/ Dan Fröberg: "15 Songs (Down at Jinxey´s)" New folk music: We are still listening to physical objects – but no longer to a physical reality.

Random Stabbings 34 May's interesting records subjectively compiled by Eric Saeger.