All cd-feature Items

CD Feature/ Ex-P: "Ancora Saigon" & "Carpaccio Existenziale"; I/O: "Polytone" Congruent Beatnick maelstroms: Potential live sensations in the making.

CD Feature/ I am a Vowel: "Et op la Bang" Language is everywhere: A quasi-naive, positively whimsical and charmingly adventurous attitude.

Metal Visions International 3 A planet forged of steel: Exploring Metal releases from all around the world.

Vital Weekly 643 Frans de Waard presents the experimental releases of the week.

CD Feature/ Tito Puente and His Orchestra: “Live at the 1977 Monterey Jazz Festival" An amazing tip of the iceberg: World-famous artifacts.

CD Feature/ Luis Orias Diz: "Acrílicos en la Sonrisa" & "Kammermusik" A soloist, team player, accompanyist, and sound sculptor: Classical Guitar visions for the 21st century.

CD Feature/ The Smith Quartet: "Philip Glass - Complete String Quartets" New insights, fresh inspiration: The quartets are free to be celebrated and cursed again.

CD Feature/ Jamie Saft & Merzbow: "Merzdub" Utmost respect and utter disdain: A Dub-drenched quarrel over who reigns supreme in the land of Noise and Sludge.

Vital Weekly 642 Frans de Waard presents the experimental releases of the week.

CD Feature/ Kiss the Anus of a Black Cat: "The Nebulous Dreams" Tales of horror and stories of pain: Epics of meditative minimalism.

LP Feature/ Fuck Buttons: "Colours Move" Officially the world’s most famous experimental duo: Being loud has rarely sounded this whistful.

CD Feature/ pndc: "Fading Away" Sweet fruits of the underground: Energetically strummed, almost militaristic acoustic guitars.

CD Feature/ Simone Dinnerstein: "The Berlin Concert" Such tiny spaces: A testing ground for Dinnerstein's versatility and volubility as an artist.

CD Feature/ Paul Bradley & Cria Cuervos: "Moraines II" A “best of both worlds”: Fuses Bradley’s equilibrium with Maggi’s unpredictability, collisions and confounding correlations.

CD Feature/ Mathias Delplanque: "L'inondation" Composing is like gardening: What will happen to these sounds when the composer lets go?